James Blake cannot be accused of lacking ideas. In less than a year he has produced a range and variety of music that could have emerged from an entire career. Back in May, his EP CMYK wove R&B samples into powerful new statements, suggesting an alternative path for the future of dubstep. In his next EP, Klavierwerk, Blake adapted his complex musical production to an unexpected source: his own voice. If the vocal element here was a revelation, his sheer vocal talent was the next surprise, which came in a pared-down cover of Feist’s ‘Limit To Your Love.’ By the release of this single, Blake had confounded the possibility of being pigeonholed. His style was ever-changing, unpredictable and continually exciting.